My people, My people what have I done to you, how have I offended you answer me!

I led you out of Egypt from slavery to freedom, but you have led your Savior, and nailed Him to a cross.

Hagios OTheos, Hagios ichyros,
Hagios athanatos eleison himas.
Holy is God, Holy and Strong,
Holy Immortal One, have mercy on us.

For forty years in safety, I led you through the desert, I fed you with my manna, I gave you your own land, but you have led your Savior, and nailed Him to a Cross.

Hagios O Theos, Hagios ichyros,
Hagios athanatos eleison himas.
Holy is God, Holy and Strong,
Holy Immortal One, have mercy on us.

O what more would you ask from me? I planted you, my vineyard, but sour grapes you gave me, and vinegar to drink, and you have pierced your Savior and pierced Him with a spear.

Hagios O Theos, Hagios ichyros,
Hagios athanatos eleison himas.
Holy is God, Holy and Strong,
Holy Immortal One, have mercy on us.

For you scourged your captors, their first born sons were taken, but you have taken scourges and brought them down on Me.

My people, My people what have I done to you, how have I offended you? Answer me!

From slavery to freedom I led you, drowned your captors. But I am taken captive and handed to your priests.

My people, My people what have I done to you, how have I offended you? Answer me!

Your path lay through the waters, I opened them before you, my side you have laid open and bared it with a spear.

My people, My people what have I done to you, how have I offended you? Answer me!

I led you, held securely, My fire and cloud before you, but you have led your Savior, hands bound to Pilate’s court.

My people, My people what have I done to you, how have I offended you? Answer me!

I bore you up with manna, you bore me down and scourged me. I gave you saving water, but you gave me soured wine.

My people, My people what have I done to you, how have I offended you? Answer me!

The kings who reigned in Canaan, I struck way before you. But you have struck my crowned head, and struck it with a reed.

My people, My people what have I done to you, how have I offended you? Answer me!

I gave you a royal scepter but you gave me a thorn crown. I raised you up in power, but you raised me on the Cross.

Hagios OTheos, Hagios ichyros,
Hagios athanatos eleison himas.
Holy is God, Holy and Strong,
Holy Immortal One, have mercy on us.

Dear readers,

As some of you may already know, I am leaving Washington D.C. and my job at St. Patrick’s, effective this Sunday 30-January. I will be joining the expanding biosphere of hackers who are paid to work on the Mozilla products and platform. I will be working full-time for the mozdev group, inc., a consulting company that specializes in software solutions based on mozilla technologies.

I am saddened to be leaving St. Patrick’s; I have made many good friends here, and learned a tremendous amount about music, worship, and life in general. I could not have asked for a better job coming right out of college, or a more beautiful church or organ.

I am excited to be moving on to the new challenges of software development. As most of you are aware, I have been significantly involved with the development of Mozilla Firefox, serving as the volunteer coordinator of localizations for the 1.0 release, and writing a decent amount of the backend code that makes loading extensions possible. My work with mozdev group is full of exciting challenges. And I intend to continue development of the XULrunner, the next-generation runtime for XUL applications, or applications which wish to embed the gecko rendering engine.

Suzanne and I will be moving to Johnstown, PA on 3-Februrary, and so I will probably be out of touch for most of next week. Our new mailing adress will be

221 Hemlock St.
Windber, PA 15963

I also have a new email address, effective immediately: benjamin@smedbergs.us. Please update your address book accordingly.

Also, the location of my weblog will be moving soon to http://benjamin.smedbergs.us/. I will try to set up a decent number of redirects so that this current location continues to get you somewhere useful. However, old blog post links will not continue to work, because I do not intend to use WordPress for the new blog. Stay tuned for some exciting developments there.

I was giving a talk to a class of seminarians a few months ago, and their most-asked question was “what can I do to promote good music at my future parish.” The answer to this question is multi-faceted, no doubt, but I feel that there are three necessary components of a good music program which are frequently overlooked:

1. Junior choirs and music education: The choir is the foundation of any good music program; the really good singers are the leaven which help the rest of the congregation to active musical participation in the Mass (singing and listening). Good choirs do not just appear from nowhere; it takes careful and sustained music education, from an early age, to have a truly excellent music program. Start with a junior choir, for children in 3-8 grades; continue with a youth choir (if there is enough interest) for high-school youth; finally, graduate singers to the senior choir. For those who are tone-deaf but have good rhythm, there should be a bell choir.
2. Singing the basic responses of the Mass: it is amazing to me how many parishes sing an opening hymn and have good choirs, but the priest will not sing the basic responses of the Mass (“The Lord be with you”). It is explicitly required that the basic responses of the Mass be sung, if any of the more-complex parts of the Mass are sung.
3. Consistency is a virtue, variety is not: most parishes sing a different tune for the Memorial Acclamation (“Christ has died, Christ is risen…”) each week. There is no need for this “variety for variety’s sake”. This is one of the most basic responses of the Mass, why not sing the same tune at every Mass? I can guarantee that a good, simple tune for the basic acclamations will not become boring, no matter how many times you sing it.

There are, of course, many additional ways to foster singing in the parish. Hiring a good organist is one of the basic necessities for most parishes. And, at some other time, I will begin posting on my thoughts about the need for a unified repertoire of chant for the entire U.S. (a national hymnal).

Ever since the new (2001) Lectionary for Mass was released, various individuals and groups have pointed a singular anomaly of the current situation: There is not a translation of the Bible which matches the readings in the Lectionary for Mass.

However, I have not seen any mention of a similar situation, which has been present in the English editions of the Roman Rite since they were published: there are many, many texts that appear in the Rites for which no official music is provided.

By their nature, the Rites of the Church are intended to be sung, almost in their entirety. This may seem odd to the modern Massgoer, for whom the sung Mass has all but disappeared. You will find in every diocese some priests who sing the responses of the Mass (“The Lord be with you.”), and many parishes sing the people’s parts such as the “Holy, Holy, Holy” and the “Gloria”. But when was the last time you heard the deacon sing the Gospel; or the cantor sing the General Intercessions? Or the priest sing the Prayer after Communion?

Before the Council, the priest’s Missal and the Graduale Romanum (the book of Gregorian chants for the cantor) contained explicit directions on how the priest, deacon, cantor, and choir were to sing their texts. It contained such details about the three different reciting tones on which to sing the Gospel, and how to “point” the Latin text.

Now, all such musical directives have been removed from the Missal (inexplicably translated as “Sacramentary). So, even as the Second Vatican Council expounded on the wonders of music in the Liturgy, the rug was pulled out from under those who were attempting to sing the Liturgy in all its glory.

As a simplistic example: I was encouraging a transitional deacon in the parish to learn how to sing the Gospels. However, I could not tell him “this is how you should sing it.” Instead, various publishers have developed tones for singing the Gospels, and each deacon/priest is supposed to decide which one to use. This state of anarchy is confusing to most people, inclusing those clergy who really wish to honor the wishes of the Council by singing the Mass in all its splendor.

We need a unified repertoire throughout the US (indeed, the English-speaking world)… but more on that later.

The Vatican recently released a new Instruction on the Liturgy:
Redemptionis Sacramentum
On certain matters to be observed or to be avoided
regarding the Most Holy Eucharist

It’s amazing how little there is new in the document: it’s combining and collection theories and rules from other documents through the years, emphasizing some points and clarifying some roles, but it’s not ‘new laws’ by any stretch of the imagination.

Some writers claim that this Instruction “ends abuse” in the Mass. But seriouly, this document only states preexisting law. It is up to the bishops to enforce the law and promote a prayerful and wondrous celebration of the Eucharist in their diocese.